Yesterday we spent the day at The Temple of the Applied Arts (so named by Claudia Clare ). I was keen to see the new Medieval and Renaissance galleries.It is a homage of polished marble and shiney glass cabinets. It's a theatrical display of some of the most precious and ornate objects from this period. I had not imagined the galleries would be nearly so extensive.
Given that many of the objects had religious significance and may once have been thought of as sacrosanct there was a general air of holiday jollity.
The galleries were thronging with chattering Sunday visitors. They seemed incongruous in the vaulted spaces. I almost expected a sacred silence and people filing through as in a religious procession as they venerated the objects of devotion.
But no, not at all- children played hide and seek around the tryiptytchs, a granny was fast asleep on a bench and a child or two were splashing in a fountain. there was a bubbling of voices as people chatted and laughed and babies cried.
I would like to go again soon but perhaps when it's not so busy. There was a set a round stained glass windows that were too high to photograph that I would like to work into some plates.
I had not intended to visit the ceramics galleries but couldn't resist By this time the boys had gone off in search of the Comics' Museum and the British Museum so I had another tour of the ceramics galleries. The bottom picture is of one of the figarines in the gallery but the picture below is a piece by David Cleverly in the museum shop. I thought it was good to see someone still working in that genre - fun.
How is it made? - "It's a limited edition it's not unique, once it is made they can keep on casting them". Is something I often hear people say when they are looking at ...
1 day ago